Television

 

By Rochelle Forrester

 

Ó All Rights Reserved

 

Publication Date 2006

 

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Television has been evolving for over a hundred years. There were two main lines of development, the photo-mechanical and the electronic. The electronic was to prove the better system with the photo-mechanical falling into disuse in the 1930’s.

The first idea for television was proposed by the American scientist G R Carey. Carey proposed a system for using electricity to send a picture from a camera to a receiver some distance away. Carey’s system consisted of a number of light sensitive selenium cells each connected by wires to a battery and to an electric lamp. There was one electric lamp for each selenium cell. The cells reacted to the light and would send an electric current, which amounted to an electronic version of the picture from the camera, down the wire to the electric lamps. Carey envisaged a receiver consisting of the same number of lamps as there were for the selenium cells. The idea was not practical as to produce a clear image millions of electric lamps were needed.

Practical television required a single light cell connected to one lamp. Dr Paul Nipkow, a German physicist, invented the Nipkow disc, which was a fast turning circular metal disc with small holes in it. The rapidly spinning disc is placed between an object and a photo-electric cell and only a small section of the object is exposed to the photo-electric cell at a time through the holes in the disc. The cell converts the light into electrical signals which are transmitted to a lamp which would vary in brightness. The lamp would shine through the holes on a second revolving disc on to a screen on which the image is projected. The Nipkow disc was used to produce television in the 1920’s but the discs could not be turned fast enough to produce good quality pictures.

The cathode ray tube was invented in 1887 by the German physicist Ferdinand Braun. Braun was studying the behavior of electrons when he discovered electrons hitting florescent paint caused the paint to glow. He placed paint on the end of a glass tube containing an electrode which produced a stream of electrons. He found he could control the electron stream by the use of electro-magnets and electrically charged plates.

The first television to work was created by Boris Rosing in St Petersburg in Russia. In 1906 he combined the cathode ray tube with Nipkow’s disc system. Nipkow’s disc was used to record a scene and turn it into an electrical signal. The cathode ray tube was used as a receiver but the picture produced was of very poor quality as at the time there was no way to amplify the electrical signal.

A fully electronic television system was suggested by A A Campbell-Swinton in 1908. He suggested that the cathode ray tube could be used both as a television camera as well as a receiver. The camera could work with the end of the cathode ray tube being made of a photo-sensitive material and the scene being focused on that material. The cathode ray could scan the photo-sensitive material to produce an electrical signal which would match the strength of the light at each point on the end of the tube.

The first person to put Campbell-Swinton’s ideas into practice was Vladimir Zworykin, a Russian refugee working in America. Zworykin produced an electronic camera tube called the iconoscope and a receiver called the kinescope. The early versions produced very poor quality pictures. At the same time Philo Farnsworth in California produced an electronic television camera and receiver.

The first practical television broadcasts however were made by John Logie Baird in England and by Charles Francis Jenkins in the United States. Both Baird and Jenkins used Nipkow discs for both the camera and the receiver and they were able to produce crude television broadcasts due to improvements in electronic amplification and better photo-electric cells and electric lamps. However picture quality using Nipkow disks could never be very good as it was impossible to rotate the disc fast enough to produce high quality pictures. The future lay with electronic television cameras and receivers as were invented by Zworykin and Farnsworth.

The television system invented by Zworykin and Farnsworth works by light reflected from the scene being sent through a lens and being focused on a metal screen. The metal screen is made up of millions of tiny specks of cesium oxide which act as tiny photo-electric cells emitting electrons when light falls upon them. The higher intensity of light falling on a given speck, the greater the volume of electrons emitted from the speck. The light sensitive screen becomes positively charged when it loses its electrons. The positively charged light sensitive screen is then scanned by a cathode ray controlled by electro-magnets which replace the electrons lost when the light falls on the light sensitive screen making it electrically neutral. The electrons lost by the light sensitive screen flow to a positively charged plate, usually made of silver due to its high conductivity, where they constitute an electric current which is amplified before being sent as electro-magnetic waves to the television receiver.

The receiver contains a cathode ray tube and when the electrical signals reach the cathode ray tube it controls the electron stream. Electro-magnets in the receiver cause the cathode ray to move in a scanning motion identical to the scanning that occurs in the television camera. This causes the scene in front of the television camera to be reproduced on the screen of the television receiver. The receiver screen is made of glass coated with zinc oxide and other chemicals and contains millions of fluorescent molecules which vary in intensity when scanned in an identical manner to the variation in intensity to the light falling on the light sensitive screen in the television camera.

The extreme speed at which the cathode ray works and the accuracy of the electro-magnets controlling it ensures that the picture has motion. It is not possible to send a whole picture so the picture is sent in tiny bits and the individual bits must be transmitted and received so quickly that the eye only sees the whole picture. Each scan of the television camera screen amounts to a single picture and each scan of the television receiver screen reproduces that picture. However to create motion on the receiver screen it is necessary to send many pictures per second so that the eye gets the impression of continual movement. In Europe and Great Britain the pictures are sent at 25 frames per second due to alternating current running at 50 cycles per second and one frame is produced for each two cycles of alternating current. In the United States the alternating current runs at 60 cycles per second so that the pictures in the USA are sent at 30 frames per second. In addition, British and European pictures have 625 lines while American television pictures have only 525 lines. These differences in the speed at which pictures are sent and the number of lines per picture make the British and European television systems incompatible with the American system.

The technical problems of producing practical electronic television were largely solved in the 1930’s but progress largely ceased during the second world war as resources were diverted to the production of militarily useful electronic products such as radar. A number of attempts were made to introduce color television before and after the second world war with a practical system being introduced by RCA in America in 1953. Color television involved the use of color sensitive mirrors that produced red, green and blue images on the camera tubes which convert the optical images into electric signals. The electrical signals are combined in an adding device to form a black and white electric signal which is then mixed with a coloring signal which is then broadcast. The color television receiver contains a box which has a decoder which changes the signal back into separate red, blue and green signals. Three electron guns in the receiver create electron beams for each of the red, blue and green colors which are directed around the screen by deflector coils. The screen has a coating of phosphor stripes of which some stripes are for the red beam and others for the blue or green electron beam. A shadowmask ensures only the appropriate red electron beam hits the red phosphor stripes and the same for the other colors. After passing through the phosphor stripes the beams combine to produce a color picture on the receiver screen.

The 1960’s saw the replacement of thermionic valves by transistors in television sets. This resulted in much smaller and more mobile television sets. The beginnings of the use of satellites for relaying television broadcasts all around the world also occurred at this time.

The social and cultural effects of television were immense. It has united the world, or at least the first world, into one enormous television audience. It has created what Marshall McLuhan called the “global village”. It has brought entertainment, news, sports and information into nearly every home in the developed world and some homes in the developing world. Sporting events such as the Olympic Games are seen by hundreds of millions of people simultaneously all around the world. Political elections are broadcast nationwide and sometimes internationally so people instantaneously learn the results. Dramatic events such as moon landings and the September 11th terrorist attacks are broadcast around the world. Television has major political significance for example media images, shown on television, of the Vietnam War are often considered to have turned American public opinion against the war. Portrayals of events such as famine in third world countries can help encourage relief efforts. Extensive advertising takes place on television interrupting programmes and annoying viewers. The effects of violence on television, especially on children, has been controversial. Television has been blamed for many things such as violence in society and obesity in children.

Television could not exist without the presence of some light sensitive materials capable of acting as photo-electric cells. The materials such as selenium or cesium oxide are able to lose electrons when light falls on the material and so create an electric current. Fluorescent molecules, on the screen of the receiver are also necessary to turn the electric current back into pictures. The third requirement for television is the ability to control, amplify and transmit the electric current. If there was no light sensitive material capable of turning light into an electric current or no fluorescent material capable of turning an electric current into pictures or ability to create, control and amplify an electric current there would have been no television. It is only because nature allows light to be turned into electricity, electricity to be created, controlled and amplified and turned back into light that television is possible. This means the laws of nature and the properties of the materials in nature have had a significant effect on human social and cultural history.

The particular time in history that television appeared was inevitable. Once humans learnt how to create, control and amplify electricity and that certain materials would lose electrons when exposed to light and that other materials when struck by electrons would produce a picture, then the development of television was inevitable so long as there were appropriate social and cultural conditions for its invention and introduction. Those conditions existed in Europe and the United States in the first half of the 20th century.

 

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